[With all systems GO for The SCAR Project Exhibition to premiere in Houston this week, I am happy, honored, humbled to hand over the SCAR blog mic to CEO and Creative Director of American Art Resources, Kathy Hathorn. An innovator and pioneer in developing patient-focused art programs for healthcare facilities, Hathorn is an authority in art and its impact on patients in healthcare settings. Other signature projects, besides her work with MD Anderson Cancer Center, includes: Celebration Health, Northwestern Memorial Hospital and Prentice Women’s Hospital, Phoenix Children’s Hospital, Duke University Cancer Center and the new Parkland Hospital. She sits on various boards and councils related to healthcare research and design, and lectures both in the US and abroad as an expert in evidence-based art programs. In 2001 Hathorn co-authored the Evidence-Based Guidelines for Selecting Healthcare Art with Roger Ulrich. She founded the RED Center whose original research has been published in peer-reviewed journals and in Joint Commission’s Environment of Care. Hathorn has been featured in Business Week and The Coolest Entrepreneurs in America, and was named one of the 25 Most Influential People in Healthcare Design in 2009. She was the 2011 recipient of the Symposium Distinction Award. She was commissioned in 2012 by the National Academy of Sciences in Washington, DC. to write a white paper on the effects of art on the aging, due for publication in 2013. Besides all that, Kathy Hathorn was instrumental in bringing The SCAR Project to Houston.]
Guest Post by Kathy Hathorn
An authority on art and its impact on patients in healthcare settings, I am frequently asked by my healthcare clients, if a particular work of art is appropriate to display or include in a hospital’s art collection.
I had a unique experience a few months back, when MD Anderson Cancer Center’s Dr. Oliver Bogler asked me to review the work of New York photographer David Jay.
I replied that MD Anderson doesn’t have a rotating gallery space but that the work HAD to be brought to Houston. Hands down, The SCAR Project was the most incredible work I had ever seen!
I have always been drawn to figurative black and white photography—it draws me in in a way that no other genre ever does. David’s work has the raw brutality of Diane Arbus’ work but it envelops the viewer in a passion of love, respect, and admiration. Instead of detachment and alienation that viewers can feel about Arbus’ work, these pieces bring out every shred of humanity in the viewer who wants to reach out to each of the subjects and say, “You are beautiful….”
Bringing the work to Houston became a personal mission. My first thought was that Gremillion Gallery had the perfect exhibition space for the large format works. I also knew that the gallery has been incredibly generous in lending its space to various charitable events over the years. It was a quick and emphatic yes when I asked Ron Gremillion and Chris Skidmore if they were interested.
It must have been serendipity but as soon as there was a fabulous exhibition space, there was also funding to bring the show to Houston! Pink Ribbons Project, a breast cancer survivor non-profit organization, generously agreed to underwrite the hard costs of the exhibit. The show premieres at a private gala event this Thursday, October 17, and runs through October 28th. There are numerous public-service events planned around the exhibit including lectures by both the artist and various breast health experts. Click HERE for the exhibit schedule and ticket information.
The message of the work is undeniable: David Jay has captured the harrowing beauty, dignity, courage and strength of young women dealing, living, and thriving after breast cancer surgery. Both his passion and compassion are piercingly apparent to the viewer.